Al mundo Dios amó (God So Loved) album cover

ISRC

USSD19905394

Al mundo Dios amó (God So Loved)2

Song: AL MUNDO DIOS AMO

Jaci Velasquez
matched
Released 1999-08-28

Last verified:

USSD19905394 is the International Standard Recording Code (ISRC) for the recording “Al mundo Dios amó (God So Loved) by Jaci Velasquez, released 1999-08-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by DION VELASQUEZ, CHRIS EATON, DAVID VELASQUEZ.

Format

USCountry
SD1Registrant
99Year (1999)
05394Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1999):
Last two digits of the reference year (1999). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

DION VELASQUEZComposer
CHRIS EATONComposer
DAVID VELASQUEZComposer

Credits Graph

MLC Song Code

SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Al mundo Dios amó (God So Loved)" by Jaci Velasquez?
The ISRC for "Al mundo Dios amó (God So Loved)" by Jaci Velasquez is USSD19905394.
Who wrote "Al mundo Dios amó (God So Loved)"?
"Al mundo Dios amó (God So Loved)" was written by DION VELASQUEZ, CHRIS EATON, DAVID VELASQUEZ.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USSD19905394?

USSD19905394 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Al mundo Dios amó (God So Loved) by Jaci Velasquez. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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