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Everyone’s Gone to the Moon album cover

ISRC

USRC16808113

Everyone’s Gone to the Moon2

Song: EVERYONE'S GONE TO THE MOON

Nina Simone
matched
Released 1969-01-01

Last verified:

USRC16808113 is the International Standard Recording Code (ISRC) for the recording “Everyone’s Gone to the Moon” by Nina Simone, released 1969-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by KENNETH KING.

Format

USCountry
RC1Registrant
68Year (1968)
08113Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1968):
Last two digits of the reference year (1968). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

KENNETH KINGComposer
BOCU MUSIC USA OriginalPublisher100.00%IPI: 01074145476

Who publishes this song?

BOCU MUSIC USAOriginalPublisher
IPI: 01074145476

MLC Song Code

E82560
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Everyone’s Gone to the Moon" by Nina Simone?
The ISRC for "Everyone’s Gone to the Moon" by Nina Simone is USRC16808113.
Who wrote "Everyone’s Gone to the Moon"?
"Everyone’s Gone to the Moon" was written by KENNETH KING.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USRC16808113?

USRC16808113 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Everyone’s Gone to the Moon” by Nina Simone. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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