ISRC

USQY51288895

ALL I HAVE (JENNIFER LOPEZ AND LL COOL J KARAOKE TRIBUTE)

Song: ALL I HAVE

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USQY51288895 is the International Standard Recording Code (ISRC) for the recording “ALL I HAVE (JENNIFER LOPEZ AND LL COOL J KARAOKE TRIBUTE). ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by CURTIS AARON RICHARDSON, MAKEBA RIDDICK, JAMES TODD SMITH, and others.

Format

USCountry
QY5Registrant
12Year (2012)
88895Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2012):
Last two digits of the reference year (2012). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCALL I HAVE (JENNIFER LOPEZ AND LL COOL J KARAOKE TRIBUTE)

People also ask

What is the ISRC for "ALL I HAVE (JENNIFER LOPEZ AND LL COOL J KARAOKE TRIBUTE)"?
The ISRC for "ALL I HAVE (JENNIFER LOPEZ AND LL COOL J KARAOKE TRIBUTE)" is USQY51288895.
Who wrote "ALL I HAVE (JENNIFER LOPEZ AND LL COOL J KARAOKE TRIBUTE)"?
"ALL I HAVE (JENNIFER LOPEZ AND LL COOL J KARAOKE TRIBUTE)" was written by CURTIS AARON RICHARDSON, MAKEBA RIDDICK, JAMES TODD SMITH, LISA PETERS, WILLIAM JEFFREY, DAVID MCPHERSON, JENNIFER LOPEZ, RONALD BOWSER.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USQY51288895?

USQY51288895 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “ALL I HAVE (JENNIFER LOPEZ AND LL COOL J KARAOKE TRIBUTE). ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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