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ISRC

USQY51242584

IN THE DARK (DUBSTEP REMIX TO DEV COVER)

Song: IN THE DARK (RANIDU REMIX)

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USQY51242584 is the International Standard Recording Code (ISRC) for the recording “IN THE DARK (DUBSTEP REMIX TO DEV COVER)”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by DAVID SINGER-VINE, NILES HOLLOWELL-DHAR, ERIC MORILLO, and others.

Format

USCountry
QY5Registrant
12Year (2012)
42584Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2012):
Last two digits of the reference year (2012). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCIN THE DARK (DUBSTEP REMIX TO DEV COVER)
IPIDAVID SINGER-VINE

Related

Songwriter profiles

DAVID SINGER-VINEIPINILES HOLLOWELL-DHARIPIERIC MORILLOIPIDEVIN STARR TAILESIPIMARK H. QUASHIEIPI

People also ask

What is the ISRC for "IN THE DARK (DUBSTEP REMIX TO DEV COVER)"?
The ISRC for "IN THE DARK (DUBSTEP REMIX TO DEV COVER)" is USQY51242584.
Who wrote "IN THE DARK (DUBSTEP REMIX TO DEV COVER)"?
"IN THE DARK (DUBSTEP REMIX TO DEV COVER)" was written by DAVID SINGER-VINE, NILES HOLLOWELL-DHAR, ERIC MORILLO, DEVIN STARR TAILES, MARK H. QUASHIE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USQY51242584?

USQY51242584 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “IN THE DARK (DUBSTEP REMIX TO DEV COVER)”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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