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ISRC

USQY51115969

WHY (TRIBUTE TO MICHAEL JACKSON & 3T) - KARAOKE MIX

Song: WHY

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USQY51115969 is the International Standard Recording Code (ISRC) for the recording "WHY (TRIBUTE TO MICHAEL JACKSON & 3T) - KARAOKE MIX". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ALESSIA AQUILANI, FRANCESCO AMATO, ANDREA DE ANTONI, and others.

Format

USCountry
QY5Registrant
11Year (2011)
15969Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2011):
Last two digits of the reference year (2011). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCWHY (TRIBUTE TO MICHAEL JACKSON & 3T) - KARAOKE MIX
IPIALESSIA AQUILANI

Related

Songwriter profiles

ALESSIA AQUILANIIPIFRANCESCO AMATOIPIANDREA DE ANTONIIPIWILLIAM NARAINEIPI

People also ask

What is the ISRC for "WHY (TRIBUTE TO MICHAEL JACKSON & 3T) - KARAOKE MIX"?
The ISRC for "WHY (TRIBUTE TO MICHAEL JACKSON & 3T) - KARAOKE MIX" is USQY51115969.
Who wrote "WHY (TRIBUTE TO MICHAEL JACKSON & 3T) - KARAOKE MIX"?
"WHY (TRIBUTE TO MICHAEL JACKSON & 3T) - KARAOKE MIX" was written by ALESSIA AQUILANI, FRANCESCO AMATO, ANDREA DE ANTONI, WILLIAM NARAINE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USQY51115969?

USQY51115969 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "WHY (TRIBUTE TO MICHAEL JACKSON & 3T) - KARAOKE MIX". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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