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ISRC

USQY51096596

LIVE BLUES IN A

Song: TROUBLE IN MIND (A/K/A 'THE TROUBLE BLUES')

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USQY51096596 is the International Standard Recording Code (ISRC) for the recording "LIVE BLUES IN A". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by SAM LIGHTNIN HOPKINS, MACK MCCORMICK.

Format

USCountry
QY5Registrant
10Year (2010)
96596Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2010):
Last two digits of the reference year (2010). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

SAM LIGHTNIN HOPKINSComposer
SANGA MUSIC INC. OriginalPublisher0.00%
THE ROYALTY NETWORK INC. OriginalPublisher100.00%IPI: 00255217086
MACK MCCORMICKComposer
SANGA MUSIC INC. OriginalPublisher0.00%
THE ROYALTY NETWORK INC. OriginalPublisher100.00%IPI: 00255217086

Who publishes this song?

SANGA MUSIC INC.OriginalPublisher
THE ROYALTY NETWORK INC.OriginalPublisher
IPI: 00255217086
SourcesMLC

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People also ask

What is the ISRC for "LIVE BLUES IN A"?
The ISRC for "LIVE BLUES IN A" is USQY51096596.
Who wrote "LIVE BLUES IN A"?
"LIVE BLUES IN A" was written by SAM LIGHTNIN HOPKINS, MACK MCCORMICK.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USQY51096596?

USQY51096596 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "LIVE BLUES IN A". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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