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ISRC

USQY51069030

YOU DON'T HAVE TO SAY YOU LOVE ME (IN THE STYLE OF 'ELVIS PRESLEY')

Song: YOU DON'T HAVE TO SAY YOU LOVE ME

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USQY51069030 is the International Standard Recording Code (ISRC) for the recording "YOU DON'T HAVE TO SAY YOU LOVE ME (IN THE STYLE OF 'ELVIS PRESLEY')". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by VICKI WICKHAM, SIMON NAPIER-BELL, VITO PALLAVICINI, and others.

Format

USCountry
QY5Registrant
10Year (2010)
69030Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2010):
Last two digits of the reference year (2010). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Related

Songwriter profiles

SIMON NAPIER-BELLIPI

People also ask

What is the ISRC for "YOU DON'T HAVE TO SAY YOU LOVE ME (IN THE STYLE OF 'ELVIS PRESLEY')"?
The ISRC for "YOU DON'T HAVE TO SAY YOU LOVE ME (IN THE STYLE OF 'ELVIS PRESLEY')" is USQY51069030.
Who wrote "YOU DON'T HAVE TO SAY YOU LOVE ME (IN THE STYLE OF 'ELVIS PRESLEY')"?
"YOU DON'T HAVE TO SAY YOU LOVE ME (IN THE STYLE OF 'ELVIS PRESLEY')" was written by VICKI WICKHAM, SIMON NAPIER-BELL, VITO PALLAVICINI, P. DONAGGIO.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USQY51069030?

USQY51069030 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "YOU DON'T HAVE TO SAY YOU LOVE ME (IN THE STYLE OF 'ELVIS PRESLEY')". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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