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I WAS MADE FOR DANCING (IN THE STYLE OF 'LEIF GARRETT') album cover

ISRC

USQY50975154

I WAS MADE FOR DANCING (IN THE STYLE OF 'LEIF GARRETT')

Song: I WAS MADE FOR DANCIN'

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USQY50975154 is the International Standard Recording Code (ISRC) for the recording “I WAS MADE FOR DANCING (IN THE STYLE OF 'LEIF GARRETT')”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by MICHAEL LLOYD.

Format

USCountry
QY5Registrant
09Year (2009)
75154Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2009):
Last two digits of the reference year (2009). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCI WAS MADE FOR DANCING (IN THE STYLE OF 'LEIF GARRETT')
IPIMICHAEL LLOYD

Related

Songwriter profiles

MICHAEL LLOYDIPI

People also ask

What is the ISRC for "I WAS MADE FOR DANCING (IN THE STYLE OF 'LEIF GARRETT')"?
The ISRC for "I WAS MADE FOR DANCING (IN THE STYLE OF 'LEIF GARRETT')" is USQY50975154.
Who wrote "I WAS MADE FOR DANCING (IN THE STYLE OF 'LEIF GARRETT')"?
"I WAS MADE FOR DANCING (IN THE STYLE OF 'LEIF GARRETT')" was written by MICHAEL LLOYD.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USQY50975154?

USQY50975154 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “I WAS MADE FOR DANCING (IN THE STYLE OF 'LEIF GARRETT')”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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