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ISRC

USPSU1252649

RIGHT TOOL FOR THE JOB (INSTRUMENTAL VERSION)

Song: RIGHT TOOL FOR THE JOB

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USPSU1252649 is the International Standard Recording Code (ISRC) for the recording “RIGHT TOOL FOR THE JOB (INSTRUMENTAL VERSION)”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by RUDOLPH TAYLOR, RONNIE WILSON, ROBERT WILSON, and others.

Format

USCountry
PSURegistrant
12Year (2012)
52649Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2012):
Last two digits of the reference year (2012). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCRIGHT TOOL FOR THE JOB (INSTRUMENTAL VERSION)
IPIRUDOLPH TAYLOR

Related

Songwriter profiles

RUDOLPH TAYLORIPIRONNIE WILSONIPIROBERT WILSONIPILONNIE SIMMONSIPICHARLES K WILSONIPISIMON WOODGATEIPI

People also ask

What is the ISRC for "RIGHT TOOL FOR THE JOB (INSTRUMENTAL VERSION)"?
The ISRC for "RIGHT TOOL FOR THE JOB (INSTRUMENTAL VERSION)" is USPSU1252649.
Who wrote "RIGHT TOOL FOR THE JOB (INSTRUMENTAL VERSION)"?
"RIGHT TOOL FOR THE JOB (INSTRUMENTAL VERSION)" was written by RUDOLPH TAYLOR, RONNIE WILSON, ROBERT WILSON, LONNIE SIMMONS, CHARLES K WILSON, SIMON WOODGATE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USPSU1252649?

USPSU1252649 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “RIGHT TOOL FOR THE JOB (INSTRUMENTAL VERSION)”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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