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Anywhere but Here album cover

ISRC

USPR39102704

Anywhere but Here2

Song: ANYWHERE BUT HERE

Sammy Kershaw
unmatchedNot yet matched in the MLC database
Released 1991-10-08

Last verified:

USPR39102704 is the International Standard Recording Code (ISRC) for the recording “Anywhere but Here” by Sammy Kershaw, released 1991-10-08. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
PR3Registrant
91Year (1991)
02704Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1991):
Last two digits of the reference year (1991). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Musical work link not available yet

This ISRC still identifies a valid recording; the available sources have not yet connected it to an ISWC for the underlying composition. Available release, performer, producer, and songwriter links remain visible below.

Who wrote this song?

CANNONComposer
DIPIEROComposer
SHERRILLComposer

MLC Song Code

A00715
Verify on MLC Portal →
SourcesMusicBrainzMLCMLC3 sources

Verified on

People also ask

What is the ISRC for "Anywhere but Here" by Sammy Kershaw?
The ISRC for "Anywhere but Here" by Sammy Kershaw is USPR39102704.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USPR39102704?

USPR39102704 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Anywhere but Here” by Sammy Kershaw. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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