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Dante: Part I "Inferno": X. The Popes’ Adagio—heads first— album cover

ISRC

USNO12200669

Dante: Part I "Inferno": X. The Popes’ Adagio—heads first—

Song: DANTE, PT. 1 INFERNO: X. THE POPES' ADAGIO - HEADS FIRST

Los Angeles PhilharmonicLos Angeles Master ChoraleGustavo Dudamel
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USNO12200669 is the International Standard Recording Code (ISRC) for the recording "Dante: Part I "Inferno": X. The Popes’ Adagio—heads first—" by Los Angeles Philharmonic, Los Angeles Master Chorale, Gustavo Dudamel. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
NO1Registrant
22Year (2022)
00669Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2022):
Last two digits of the reference year (2022). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Dante: Part I "Inferno": X. The Popes’ Adagio—heads first—" by Los Angeles Philharmonic?
The ISRC for "Dante: Part I "Inferno": X. The Popes’ Adagio—heads first—" by Los Angeles Philharmonic, Los Angeles Master Chorale, Gustavo Dudamel is USNO12200669.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USNO12200669?

USNO12200669 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Dante: Part I "Inferno": X. The Popes’ Adagio—heads first—" by Los Angeles Philharmonic, Los Angeles Master Chorale, Gustavo Dudamel. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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