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ISRC

USNEP1110188

40 KINDS OF SADNESS (ORIGINALLY PERFORMED BY RYAN CABRERA) [KARAOKE VERSION]

Song: 40 KINDS OF SADNESS

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USNEP1110188 is the International Standard Recording Code (ISRC) for the recording “40 KINDS OF SADNESS (ORIGINALLY PERFORMED BY RYAN CABRERA) [KARAOKE VERSION]”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by RYAN CABRERA, SABELLE BREER, CURT FRASCA.

Format

USCountry
NEPRegistrant
11Year (2011)
10188Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2011):
Last two digits of the reference year (2011). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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SABELLE BREERIPI

People also ask

What is the ISRC for "40 KINDS OF SADNESS (ORIGINALLY PERFORMED BY RYAN CABRERA) [KARAOKE VERSION]"?
The ISRC for "40 KINDS OF SADNESS (ORIGINALLY PERFORMED BY RYAN CABRERA) [KARAOKE VERSION]" is USNEP1110188.
Who wrote "40 KINDS OF SADNESS (ORIGINALLY PERFORMED BY RYAN CABRERA) [KARAOKE VERSION]"?
"40 KINDS OF SADNESS (ORIGINALLY PERFORMED BY RYAN CABRERA) [KARAOKE VERSION]" was written by RYAN CABRERA, SABELLE BREER, CURT FRASCA.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USNEP1110188?

USNEP1110188 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “40 KINDS OF SADNESS (ORIGINALLY PERFORMED BY RYAN CABRERA) [KARAOKE VERSION]”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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