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I've Made Love to You a Thousand Times album cover

ISRC

USMO18282733

I've Made Love to You a Thousand Times2

Song: I'VE MADE LOVE TO YOU A THOUSAND TIMES

Smokey Robinson
matched
Released 1997-01-01

Last verified:

USMO18282733 is the International Standard Recording Code (ISRC) for the recording “I've Made Love to You a Thousand Times” by Smokey Robinson, released 1997-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by WILLIAM ROBINSON JR., MARVIN TARPLIN.

Format

USCountry
MO1Registrant
82Year (1982)
82733Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1982):
Last two digits of the reference year (1982). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCI've Made Love to You a Thousand Times
IPIWILLIAM ROBINSON JR.

People also ask

What is the ISRC for "I've Made Love to You a Thousand Times" by Smokey Robinson?
The ISRC for "I've Made Love to You a Thousand Times" by Smokey Robinson is USMO18282733.
Who wrote "I've Made Love to You a Thousand Times"?
"I've Made Love to You a Thousand Times" was written by WILLIAM ROBINSON JR., MARVIN TARPLIN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USMO18282733?

USMO18282733 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “I've Made Love to You a Thousand Times” by Smokey Robinson. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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