ISRC

USMO17084744

DON'T WONDER WHY

Song: WHY DON'T YOU TELL ME SO

STEVIE WONDER
unmatchedNot yet matched in the MLC database

Last verified:

USMO17084744 is the International Standard Recording Code (ISRC) for the recording "DON'T WONDER WHY" by STEVIE WONDER. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by SHERMAN WILLIAMS, IONA WADE.

Format

USCountry
MO1Registrant
70Year (1970)
84744Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1970):
Last two digits of the reference year (1970). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

SHERMAN WILLIAMSComposer
BOOT HOUSE OF TUNES OriginalPublisherIPI: 00214787459
IONA WADEComposer
BOOT HOUSE OF TUNES OriginalPublisherIPI: 00214787459

Who publishes this song?

BOOT HOUSE OF TUNESOriginalPublisher
IPI: 00214787459

MLC Song Code

SourcesMusicBrainzMLCNotesCommunity4 sources

Verified on

People also ask

What is the ISRC for "DON'T WONDER WHY" by STEVIE WONDER?
The ISRC for "DON'T WONDER WHY" by STEVIE WONDER is USMO17084744.
Who wrote "DON'T WONDER WHY"?
"DON'T WONDER WHY" was written by SHERMAN WILLIAMS, IONA WADE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USMO17084744?

USMO17084744 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "DON'T WONDER WHY" by STEVIE WONDER. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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