SOUL BONGO - LIVE AT THE REGAL THEATER, CHICAGO/1962 album cover

ISRC

USMO10200045

SOUL BONGO - LIVE AT THE REGAL THEATER, CHICAGO/1962

Song: SOUL BONGO

STEVIE WONDER
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Last verified:

USMO10200045 is the International Standard Recording Code (ISRC) for the recording "SOUL BONGO - LIVE AT THE REGAL THEATER, CHICAGO/1962" by STEVIE WONDER. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by MARVIN P GAYE, PAUL CLARENCE.

Format

USCountry
MO1Registrant
02Year (2002)
00045Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2002):
Last two digits of the reference year (2002). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCSOUL BONGO - LIVE AT THE REGAL THEATER, CHICAGO/1962

People also ask

What is the ISRC for "SOUL BONGO - LIVE AT THE REGAL THEATER, CHICAGO/1962" by STEVIE WONDER?
The ISRC for "SOUL BONGO - LIVE AT THE REGAL THEATER, CHICAGO/1962" by STEVIE WONDER is USMO10200045.
Who wrote "SOUL BONGO - LIVE AT THE REGAL THEATER, CHICAGO/1962"?
"SOUL BONGO - LIVE AT THE REGAL THEATER, CHICAGO/1962" was written by MARVIN P GAYE, PAUL CLARENCE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USMO10200045?

USMO10200045 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "SOUL BONGO - LIVE AT THE REGAL THEATER, CHICAGO/1962" by STEVIE WONDER. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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