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You Made Me What I Am album cover

ISRC

USMO10110811

You Made Me What I Am

Song: YOU MADE ME WHAT I AM

The Jackson 5
matched
Released 1973-01-01

Last verified:

USMO10110811 is the International Standard Recording Code (ISRC) for the recording "You Made Me What I Am" by The Jackson 5, released 1973-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by THE CORPORATION.

Format

USCountry
MO1Registrant
01Year (2001)
10811Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2001):
Last two digits of the reference year (2001). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

THE CORPORATIONComposer
JOBETE MUSIC CO INC OriginalPublisher100.00%IPI: 00015357991

Who publishes this song?

JOBETE MUSIC CO INCOriginalPublisher
IPI: 00015357991

MLC Song Code

Y06182
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

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Songwriter profiles

People also ask

What is the ISRC for "You Made Me What I Am" by The Jackson 5?
The ISRC for "You Made Me What I Am" by The Jackson 5 is USMO10110811.
Who wrote "You Made Me What I Am"?
"You Made Me What I Am" was written by THE CORPORATION.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USMO10110811?

USMO10110811 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "You Made Me What I Am" by The Jackson 5. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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