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Born in a Manger album cover

ISRC

USMC19033312

Born in a Manger2

Song: BORN IN A MANGER

Patti LaBelle
unmatchedNot yet matched in the MLC database
Released 1990-01-01

Last verified:

USMC19033312 is the International Standard Recording Code (ISRC) for the recording “Born in a Manger” by Patti LaBelle, released 1990-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
MC1Registrant
90Year (1990)
33312Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1990):
Last two digits of the reference year (1990). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Musical work link not available yet

This ISRC still identifies a valid recording; the available sources have not yet connected it to an ISWC for the underlying composition. Available release, performer, producer, and songwriter links remain visible below.

Who wrote this song?

WALTER BUNNY SIGLERComposer
EUGENE LAMBCHOPS CURRYComposer

MLC Song Code

B65185
Verify on MLC Portal →
SourcesMusicBrainzMLCMLC3 sources

Verified on

People also ask

What is the ISRC for "Born in a Manger" by Patti LaBelle?
The ISRC for "Born in a Manger" by Patti LaBelle is USMC19033312.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USMC19033312?

USMC19033312 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Born in a Manger” by Patti LaBelle. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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