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Only in My Mind album cover

ISRC

USMC18516828

Only in My Mind2

Song: ONLY IN MY MIND

Reba McEntire
matched
Released 1985-06-10

Last verified:

USMC18516828 is the International Standard Recording Code (ISRC) for the recording “Only in My Mind” by Reba McEntire, released 1985-06-10. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by R. MCENTIRE.

Format

USCountry
MC1Registrant
85Year (1985)
16828Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1985):
Last two digits of the reference year (1985). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

R. MCENTIREComposer
UNIVERSAL - POLYGRAM INTERNATIONAL PUB INC OriginalPublisher100.00%IPI: 00343892736

Who publishes this song?

UNIVERSAL - POLYGRAM INTERNATIONAL PUB INCOriginalPublisher
IPI: 00343892736

Credits Graph

MLC Song Code

O66108
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Only in My Mind" by Reba McEntire?
The ISRC for "Only in My Mind" by Reba McEntire is USMC18516828.
Who wrote "Only in My Mind"?
"Only in My Mind" was written by R. MCENTIRE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USMC18516828?

USMC18516828 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Only in My Mind” by Reba McEntire. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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