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  3. USMC16954478

ISRC

USMC16954478

[Abbie Hoffman incident (live)]

The Who
Released 1994-01-01

Last verified: May 31, 2026

USMC16954478 is the International Standard Recording Code (ISRC) for the recording “[Abbie Hoffman incident (live)]” by The Who, released 1994-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
MC1Registrant
69Year (1969)
54478Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1969):
Last two digits of the reference year (1969). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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SourcesMusicBrainz

Verified on

  • MusicBrainz recording record

People also ask

What is the ISRC for "[Abbie Hoffman incident (live)]" by The Who?+
The ISRC for "[Abbie Hoffman incident (live)]" by The Who is USMC16954478.
What is an ISRC and what does it tell you?+
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

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What is ISRC USMC16954478?

USMC16954478 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “[Abbie Hoffman incident (live)]” by The Who. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

Learn more about ISRCs · Powered by Notes.fm

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USMC16954478 is the International Standard Recording Code (ISRC) for the recording “[Abbie Hoffman incident (live)]” by The Who, released 1994-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

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