Money, Marbles and Chalk album cover

ISRC

USMC15151428

Money, Marbles and Chalk2

Song: MONEY, MARBLES AND CHALK

Jimmy Rogers
matched
Released 1992-07-10

Last verified:

USMC15151428 is the International Standard Recording Code (ISRC) for the recording “Money, Marbles and Chalk by Jimmy Rogers, released 1992-07-10. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by J.A. LANE.

Format

USCountry
MC1Registrant
51Year (1951)
51428Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1951):
Last two digits of the reference year (1951). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

J.A. LANEComposer
ARC MUSIC, INC. OriginalPublisher0.00%IPI: 00612286859
ARC/CONRAD OriginalPublisher100.00%

Who publishes this song?

ARC MUSIC, INC.OriginalPublisher
IPI: 00612286859
ARC/CONRADOriginalPublisher

MLC Song Code

SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Money, Marbles and Chalk" by Jimmy Rogers?
The ISRC for "Money, Marbles and Chalk" by Jimmy Rogers is USMC15151428.
Who wrote "Money, Marbles and Chalk"?
"Money, Marbles and Chalk" was written by J.A. LANE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USMC15151428?

USMC15151428 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Money, Marbles and Chalk by Jimmy Rogers. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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