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Listen My Children and You Shall Hear album cover

ISRC

USMC13762333

Listen My Children and You Shall Hear2

Song: LISTEN MY CHILDREN AND YOU SHALL HEAR

Count Basie and His Orchestra
matched
Released 1937-01-01

Last verified:

USMC13762333 is the International Standard Recording Code (ISRC) for the recording “Listen My Children and You Shall Hear” by Count Basie and His Orchestra, released 1937-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by BURTON LANE, RALPH FREED.

Format

USCountry
MC1Registrant
37Year (2037)
62333Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2037):
Last two digits of the reference year (2037). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCListen My Children and You Shall Hear
IPIBURTON LANE

People also ask

What is the ISRC for "Listen My Children and You Shall Hear" by Count Basie and His Orchestra?
The ISRC for "Listen My Children and You Shall Hear" by Count Basie and His Orchestra is USMC13762333.
Who wrote "Listen My Children and You Shall Hear"?
"Listen My Children and You Shall Hear" was written by BURTON LANE, RALPH FREED.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USMC13762333?

USMC13762333 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Listen My Children and You Shall Hear” by Count Basie and His Orchestra. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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