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The Howl album cover

ISRC

USMBR2416269

The Howl

Song: THE HOWL

Ensiferum
matched

Last verified:

USMBR2416269 is the International Standard Recording Code (ISRC) for the recording "The Howl" by Ensiferum. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by MARKUS ALEKSI TOIVONEN, PETRI OLAVI LINDROOS, JANNE OLAVI PARVIAINEN, and others.

Format

USCountry
MBRRegistrant
24Year (2024)
16269Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2024):
Last two digits of the reference year (2024). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

MARKUS ALEKSI TOIVONENComposer
PETRI OLAVI LINDROOSComposer
JANNE OLAVI PARVIAINENComposer
MIKKO PETTERI MUSTONENComposer
PEKKA ILARI MONTINComposer
SAMI TAPIO HINKKAComposerLyricist

MLC Song Code

TV33MZ
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "The Howl" by Ensiferum?
The ISRC for "The Howl" by Ensiferum is USMBR2416269.
Who wrote "The Howl"?
"The Howl" was written by MARKUS ALEKSI TOIVONEN, PETRI OLAVI LINDROOS, JANNE OLAVI PARVIAINEN, MIKKO PETTERI MUSTONEN, PEKKA ILARI MONTIN, SAMI TAPIO HINKKA.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USMBR2416269?

USMBR2416269 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "The Howl" by Ensiferum. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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