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Why Don’t We Get Drunk album cover

ISRC

USMB50321274

Why Don’t We Get Drunk

Song: WHY DON'T WE GET DRUNK AND SCREW

Jimmy Buffett
matched

Last verified:

USMB50321274 is the International Standard Recording Code (ISRC) for the recording "Why Don’t We Get Drunk" by Jimmy Buffett. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by M. GARDENS.

Format

USCountry
MB5Registrant
03Year (2003)
21274Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2003):
Last two digits of the reference year (2003). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

M. GARDENSComposer
LET THERE BE MUSIC OriginalPublisher0.00%IPI: 00077634057
HIPGNOSIS WORLDWIDE OriginalPublisher100.00%IPI: 01068521655

Who publishes this song?

LET THERE BE MUSICOriginalPublisher
IPI: 00077634057
HIPGNOSIS WORLDWIDEOriginalPublisher
IPI: 01068521655
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Why Don’t We Get Drunk" by Jimmy Buffett?
The ISRC for "Why Don’t We Get Drunk" by Jimmy Buffett is USMB50321274.
Who wrote "Why Don’t We Get Drunk"?
"Why Don’t We Get Drunk" was written by M. GARDENS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USMB50321274?

USMB50321274 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Why Don’t We Get Drunk" by Jimmy Buffett. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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