How Can You Love Me album cover

ISRC

USMAC9200017

How Can You Love Me2

Song: HOW CAN I LOVE YOU

Rap Reiplinger
matched
Released 1992-01-01

Last verified:

USMAC9200017 is the International Standard Recording Code (ISRC) for the recording “How Can You Love Me by Rap Reiplinger, released 1992-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JAMIE JAMES.

Format

USCountry
MACRegistrant
92Year (1992)
00017Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1992):
Last two digits of the reference year (1992). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

JAMIE JAMESComposer
SHORT FUSE MUSIC OriginalPublisher0.00%
BMG BUMBLEBEE RightsAdministrator100.00%IPI: 00722300987

Who publishes this song?

SHORT FUSE MUSICOriginalPublisher
BMG BUMBLEBEERightsAdministrator
IPI: 00722300987

Credits Graph

MLC Song Code

SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "How Can You Love Me" by Rap Reiplinger?
The ISRC for "How Can You Love Me" by Rap Reiplinger is USMAC9200017.
Who wrote "How Can You Love Me"?
"How Can You Love Me" was written by JAMIE JAMES.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USMAC9200017?

USMAC9200017 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “How Can You Love Me by Rap Reiplinger. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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