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Maybe Maybe Someday album cover

ISRC

USLZJ2194946

Maybe Maybe Someday2

Song: MAYBE MAYBE SOMEDAY

Katie Toupin
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Last verified:

USLZJ2194946 is the International Standard Recording Code (ISRC) for the recording “Maybe Maybe Someday” by Katie Toupin. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by KATHLEEN ELIZABETH TOUPIN JR.

Format

USCountry
LZJRegistrant
21Year (2021)
94946Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2021):
Last two digits of the reference year (2021). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

KATHLEEN ELIZABETH TOUPIN JRComposerLyricist
SYMPHONIC SONNET OriginalPublisher0.00%IPI: 00388052930
SONGTRUST BLVD RightsAdministrator100.00%IPI: 00615755145

Who publishes this song?

SYMPHONIC SONNETOriginalPublisher
IPI: 00388052930
SONGTRUST BLVDRightsAdministrator
IPI: 00615755145
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Maybe Maybe Someday" by Katie Toupin?
The ISRC for "Maybe Maybe Someday" by Katie Toupin is USLZJ2194946.
Who wrote "Maybe Maybe Someday"?
"Maybe Maybe Someday" was written by KATHLEEN ELIZABETH TOUPIN JR.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USLZJ2194946?

USLZJ2194946 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Maybe Maybe Someday” by Katie Toupin. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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