El amor es una moda album cover

ISRC

USLZJ2061517

El amor es una moda

Song: EL AMOR ES UNA MODA

AlcoverDon OmarJuan Magán
unmatchedNot yet matched in the MLC database

Last verified:

USLZJ2061517 is the International Standard Recording Code (ISRC) for the recording "El amor es una moda" by Alcover, Don Omar, Juan Magán. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JUAN MANUEL MAGAN GONZALEZ, MILTON JHOAN RESTITUYO ESPINAL, WILLIAM LANDRON RIVERA, and others.

Format

USCountry
LZJRegistrant
20Year (2020)
61517Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2020):
Last two digits of the reference year (2020). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCEl amor es una moda

People also ask

What is the ISRC for "El amor es una moda" by Alcover?
The ISRC for "El amor es una moda" by Alcover, Don Omar, Juan Magán is USLZJ2061517.
Who wrote "El amor es una moda"?
"El amor es una moda" was written by JUAN MANUEL MAGAN GONZALEZ, MILTON JHOAN RESTITUYO ESPINAL, WILLIAM LANDRON RIVERA, JULIO CESAR RICHARDSON, FLAVIO RAMON FIGUEREO, DAMIAN SANTIAGO, DARLYN CUEVAS SEGURA.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USLZJ2061517?

USLZJ2061517 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "El amor es una moda" by Alcover, Don Omar, Juan Magán. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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