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ISRC

USLIC0601379

If Looks Could Kill: You Would Be Dead

Song: IF LOOKS COULD KILL (YOU WOULD BE DEAD)

BeyoncéMos DefSam Sarpong
unmatchedNot yet matched in the MLC database

Last verified:

USLIC0601379 is the International Standard Recording Code (ISRC) for the recording "If Looks Could Kill: You Would Be Dead" by Beyoncé, Mos Def, Sam Sarpong. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
LICRegistrant
06Year (2006)
01379Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2006):
Last two digits of the reference year (2006). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

JOHN T WILLIAMSComposer
SONY/ATV HARMONY OriginalPublisher100.00%IPI: 00537275340

Who publishes this song?

SONY/ATV HARMONYOriginalPublisher
IPI: 00537275340

MLC Song Code

I53032
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "If Looks Could Kill: You Would Be Dead" by Beyoncé?
The ISRC for "If Looks Could Kill: You Would Be Dead" by Beyoncé, Mos Def, Sam Sarpong is USLIC0601379.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USLIC0601379?

USLIC0601379 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "If Looks Could Kill: You Would Be Dead" by Beyoncé, Mos Def, Sam Sarpong. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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