Static in the Attic (reprise) album cover

ISRC

USLB91800109

Static in the Attic (reprise)2

Song: STATIC IN THE ATTIC (REPRISE)

Chris Standring
matched

Last verified:

USLB91800109 is the International Standard Recording Code (ISRC) for the recording “Static in the Attic (reprise) by Chris Standring. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by CHRIS STANDRING.

Format

USCountry
LB9Registrant
18Year (2018)
00109Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2018):
Last two digits of the reference year (2018). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

CHRIS STANDRINGComposer
MR. CHRISTIAN MUSIC OriginalPublisherIPI: 00193919821
BURNT PUPPY OriginalPublisher

Who publishes this song?

MR. CHRISTIAN MUSICOriginalPublisher
IPI: 00193919821
BURNT PUPPYOriginalPublisher
SourcesMusicBrainzMLC2 sources

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People also ask

What is the ISRC for "Static in the Attic (reprise)" by Chris Standring?
The ISRC for "Static in the Attic (reprise)" by Chris Standring is USLB91800109.
Who wrote "Static in the Attic (reprise)"?
"Static in the Attic (reprise)" was written by CHRIS STANDRING.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USLB91800109?

USLB91800109 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Static in the Attic (reprise) by Chris Standring. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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