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Humanity Transcends album cover

ISRC

USKO12100052

Humanity Transcends2

Song: HUMANITY TRANSCENDS

Creeping Death
matched
Released 2021-10-08

Last verified:

USKO12100052 is the International Standard Recording Code (ISRC) for the recording “Humanity Transcends” by Creeping Death, released 2021-10-08. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ERIC ALEXANDER MEJIA, REESE VAUGHAN ALAVI, LINCOLN TAYLOR MULLINS, and others.

Format

USCountry
KO1Registrant
21Year (2021)
00052Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2021):
Last two digits of the reference year (2021). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCHumanity Transcends
IPIERIC ALEXANDER MEJIA

People also ask

What is the ISRC for "Humanity Transcends" by Creeping Death?
The ISRC for "Humanity Transcends" by Creeping Death is USKO12100052.
Who wrote "Humanity Transcends"?
"Humanity Transcends" was written by ERIC ALEXANDER MEJIA, REESE VAUGHAN ALAVI, LINCOLN TAYLOR MULLINS, ARTHUR FRANCIS PEMBERTON, ALBERT JAMES ROSS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USKO12100052?

USKO12100052 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Humanity Transcends” by Creeping Death. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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