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ISRC

USKO11201295

No. 54: Widerstehe doch der Sünde (Trinity). BWV 54 - iii. Aria: Wer Sünde tut, der ist vom Teufel

Alfred DellerLeonhardt Baroque EnsembleGustav Leonhardt

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USKO11201295 is the International Standard Recording Code (ISRC) for the recording “No. 54: Widerstehe doch der Sünde (Trinity). BWV 54 - iii. Aria: Wer Sünde tut, der ist vom Teufel” by Alfred Deller, Leonhardt Baroque Ensemble, Gustav Leonhardt. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
KO1Registrant
12Year (2012)
01295Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2012):
Last two digits of the reference year (2012). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "No. 54: Widerstehe doch der Sünde (Trinity). BWV 54 - iii. Aria: Wer Sünde tut, der ist vom Teufel" by Alfred Deller?
The ISRC for "No. 54: Widerstehe doch der Sünde (Trinity). BWV 54 - iii. Aria: Wer Sünde tut, der ist vom Teufel" by Alfred Deller, Leonhardt Baroque Ensemble, Gustav Leonhardt is USKO11201295.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USKO11201295?

USKO11201295 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “No. 54: Widerstehe doch der Sünde (Trinity). BWV 54 - iii. Aria: Wer Sünde tut, der ist vom Teufel” by Alfred Deller, Leonhardt Baroque Ensemble, Gustav Leonhardt. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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