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The Mad Data Race album cover

ISRC

USK4M0700001

The Mad Data Race2

Song: THE MAD DATA RACE

Spastic Ink
unmatchedNot yet matched in the MLC database

Last verified:

USK4M0700001 is the International Standard Recording Code (ISRC) for the recording “The Mad Data Race” by Spastic Ink. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
K4MRegistrant
07Year (2007)
00001Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2007):
Last two digits of the reference year (2007). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Musical work link not available yet

This ISRC still identifies a valid recording; the available sources have not yet connected it to an ISWC for the underlying composition. Available release, performer, producer, and songwriter links remain visible below.

Who wrote this song?

RONALD JOHN JARZOMBEKComposer
BOBBY JARZOMBEKComposer

MLC Song Code

M2528W
Verify on MLC Portal →
SourcesMusicBrainzMLCMLC3 sources

Verified on

People also ask

What is the ISRC for "The Mad Data Race" by Spastic Ink?
The ISRC for "The Mad Data Race" by Spastic Ink is USK4M0700001.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USK4M0700001?

USK4M0700001 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “The Mad Data Race” by Spastic Ink. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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