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ISRC

USJ3V1131380

HEADLINES (FEAT. LIL SNS) (REMIX)

Song: HEADLINES

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USJ3V1131380 is the International Standard Recording Code (ISRC) for the recording “HEADLINES (FEAT. LIL SNS) (REMIX)”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by VICTORIA CAROLINE BECKHAM, RICHARD FREDERICK STANNARD, MELANIE BROWN, and others.

Format

USCountry
J3VRegistrant
11Year (2011)
31380Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2011):
Last two digits of the reference year (2011). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCHEADLINES (FEAT. LIL SNS) (REMIX)
IPIVICTORIA CAROLINE BECKHAM

Related

Songwriter profiles

VICTORIA CAROLINE BECKHAMIPIRICHARD FREDERICK STANNARDIPIMELANIE BROWNIPIGERI HALLIWELLIPIMATT ROWEIPIEMMA BUNTONIPI

People also ask

What is the ISRC for "HEADLINES (FEAT. LIL SNS) (REMIX)"?
The ISRC for "HEADLINES (FEAT. LIL SNS) (REMIX)" is USJ3V1131380.
Who wrote "HEADLINES (FEAT. LIL SNS) (REMIX)"?
"HEADLINES (FEAT. LIL SNS) (REMIX)" was written by VICTORIA CAROLINE BECKHAM, RICHARD FREDERICK STANNARD, MELANIE BROWN, GERI HALLIWELL, MATT ROWE, EMMA BUNTON, ESTELLE HALLIWELL, MELANIE CHISHOLM.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USJ3V1131380?

USJ3V1131380 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “HEADLINES (FEAT. LIL SNS) (REMIX)”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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