ISRC

USHM91254050

AL QUE ES TRES VECES SANTO

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USHM91254050 is the International Standard Recording Code (ISRC) for the recording “AL QUE ES TRES VECES SANTO. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by NEW WINE, EL REY JESUS MUSIC.

Format

USCountry
HM9Registrant
12Year (2012)
54050Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2012):
Last two digits of the reference year (2012). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

NEW WINEComposerLyricist
EL REY JESUS MUSIC PUBLISHING OriginalPublisherIPI: 00724697217
ADARGA PUBLISHING RightsAdministratorIPI: 00840195446
EL REY JESUS MUSICComposerLyricist
EL REY JESUS MUSIC PUBLISHING OriginalPublisherIPI: 00724697217
ADARGA PUBLISHING RightsAdministratorIPI: 00840195446

Who publishes this song?

EL REY JESUS MUSIC PUBLISHINGOriginalPublisher
IPI: 00724697217
ADARGA PUBLISHINGRightsAdministrator
IPI: 00840195446
SourcesMLC

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People also ask

What is the ISRC for "AL QUE ES TRES VECES SANTO"?
The ISRC for "AL QUE ES TRES VECES SANTO" is USHM91254050.
Who wrote "AL QUE ES TRES VECES SANTO"?
"AL QUE ES TRES VECES SANTO" was written by NEW WINE, EL REY JESUS MUSIC.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USHM91254050?

USHM91254050 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “AL QUE ES TRES VECES SANTO. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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