(I'm So Glad I'm) Living On The Moon (With My Baby) album cover

ISRC

USHM22020647

(I'm So Glad I'm) Living On The Moon (With My Baby)2

Song: (I'M SO GLAD I'M) LIVING ON THE MOON [WITH MY BABY]

Rat Silo
matched
Released 2020-05-15

Last verified:

USHM22020647 is the International Standard Recording Code (ISRC) for the recording “(I'm So Glad I'm) Living On The Moon (With My Baby) by Rat Silo, released 2020-05-15. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JAMES GORDON NEWTON.

Format

USCountry
HM2Registrant
20Year (2020)
20647Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2020):
Last two digits of the reference year (2020). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRC(I'm So Glad I'm) Living On The Moon (With My Baby)

People also ask

What is the ISRC for "(I'm So Glad I'm) Living On The Moon (With My Baby)" by Rat Silo?
The ISRC for "(I'm So Glad I'm) Living On The Moon (With My Baby)" by Rat Silo is USHM22020647.
Who wrote "(I'm So Glad I'm) Living On The Moon (With My Baby)"?
"(I'm So Glad I'm) Living On The Moon (With My Baby)" was written by JAMES GORDON NEWTON.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USHM22020647?

USHM22020647 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “(I'm So Glad I'm) Living On The Moon (With My Baby) by Rat Silo. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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