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EPISTROPHY - THEME / LIVE AT THE FIVE SPOT / AUGUST 7, 1958 album cover

ISRC

USFI85800183

EPISTROPHY - THEME / LIVE AT THE FIVE SPOT / AUGUST 7, 1958

Song: EPISTROPHY

THELONIOUS MONK QUARTET
matched
Released 1961-01-01

Last verified:

USFI85800183 is the International Standard Recording Code (ISRC) for the recording "EPISTROPHY - THEME / LIVE AT THE FIVE SPOT / AUGUST 7, 1958" by THELONIOUS MONK QUARTET, released 1961-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. The underlying musical work is ISWC T-070049520-0. Written by KENNY CLARKE, THELONIOUS MONK.

Format

USCountry
FI8Registrant
58Year (1958)
00183Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1958):
Last two digits of the reference year (1958). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCEPISTROPHY - THEME / LIVE AT THE FIVE SPOT / AUGUST 7, 1958
ISWCEPISTROPHY

Musical Work (ISWC)

T-070049520-0EPISTROPHY

Who wrote this song?

KENNY CLARKEComposer
THELONIOUS MONKComposer

MLC Song Code

E52800
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

Related

Other versions of this workView all on iswc.fm

EPISTROPHY

THELONIOUS MONK

DEU240409779

THE COMPLETE 1957 RIVERSIDE RECORDINGS

THELONIOUS MONK SEPTET,ORRIN KEEPNEWS,WILBUR WARE,RAY COPELAND,ART BLAKEY,THELONIOUS MONK,GIGI GRYCE,COLEMAN HAWKINS,JOHN COLTRANE

USFI85600029

EPISTROPHY

THELONIOUS MONK SEPTET FEAT. COLEMAN HAWKINS FEAT. ART BLAKEY FEAT. GIGI GRYCE

USC4R2443085

EPISTROPHY - LIVE AT SENDESALL BREMEN MARCH 8TH. 1965 [RESTAURACIÓN 2022]

THELONIOUS MONK QUARTET

ARU8P2200258

EPISTROPHY (THEME) (INCOMPLETE) - LIVE AT SENDESALL BREMEN MARCH 8TH. 1965 [RESTAURACIÓN 2022]

THELONIOUS MONK QUARTET

ARU8P2200262

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USFI88400072

RUBY MY DEAR

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DEU240820055

EPISTROPHY - LIVE AT SENDESALL BREMEN MARCH 8TH. 1965 [RESTAURACIÓN 2022]

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ARU8P2200258

EPISTROPHY (THEME) (INCOMPLETE) - LIVE AT SENDESALL BREMEN MARCH 8TH. 1965 [RESTAURACIÓN 2022]

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ARU8P2200262

BLUE MONK (LIVE AT THE FIVE SPOT / AUGUST 7, 1958)

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USFI85800184

Songwriter profiles

People also ask

What is the ISRC for "EPISTROPHY - THEME / LIVE AT THE FIVE SPOT / AUGUST 7, 1958" by THELONIOUS MONK QUARTET?
The ISRC for "EPISTROPHY - THEME / LIVE AT THE FIVE SPOT / AUGUST 7, 1958" by THELONIOUS MONK QUARTET is USFI85800183.
Who wrote "EPISTROPHY - THEME / LIVE AT THE FIVE SPOT / AUGUST 7, 1958"?
"EPISTROPHY - THEME / LIVE AT THE FIVE SPOT / AUGUST 7, 1958" was written by KENNY CLARKE, THELONIOUS MONK. The ISWC for this composition is T-070049520-0.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.
Is the ISRC the same as the ISWC?
No. The ISRC identifies a specific recording, while the ISWC identifies the underlying musical composition. USFI85800183 is the ISRC for this recording; T-070049520-0 is the ISWC for the composition it is a recording of. One composition (ISWC) can have many recordings (ISRCs) — originals, remixes, live versions, and covers each get their own ISRC but share the same ISWC.

What is ISRC USFI85800183?

USFI85800183 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "EPISTROPHY - THEME / LIVE AT THE FIVE SPOT / AUGUST 7, 1958" by THELONIOUS MONK QUARTET. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

This recording is linked to the musical work T-070049520-0, which represents the underlying composition. Multiple recordings can share the same musical work — for example, an original version, a remix, and a cover would each have their own ISRC but reference the same ISWC.

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