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Why Don't You Do? album cover

ISRC

USFDB0610218

Why Don't You Do?2

Song: WHY DON T YOU DO

Jennifer O’Connor
matched
Released 2005-05-03

Last verified:

USFDB0610218 is the International Standard Recording Code (ISRC) for the recording “Why Don't You Do?” by Jennifer O’Connor, released 2005-05-03. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JENNIFER LYN O'CONNOR.

Format

USCountry
FDBRegistrant
06Year (2006)
10218Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2006):
Last two digits of the reference year (2006). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

JENNIFER LYN O'CONNORComposer
COMPOSITIONS OF ROUGH TRADE OriginalPublisherIPI: 00824781324

Who publishes this song?

COMPOSITIONS OF ROUGH TRADEOriginalPublisher
IPI: 00824781324

Credits Graph

MLC Song Code

W3359Z
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Why Don't You Do?" by Jennifer O’Connor?
The ISRC for "Why Don't You Do?" by Jennifer O’Connor is USFDB0610218.
Who wrote "Why Don't You Do?"?
"Why Don't You Do?" was written by JENNIFER LYN O'CONNOR.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USFDB0610218?

USFDB0610218 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Why Don't You Do?” by Jennifer O’Connor. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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