TASTE OF GASOLINE LIVE AT KINGSIZE SOUNDLABS album cover

ISRC

USEP42134002

TASTE OF GASOLINE LIVE AT KINGSIZE SOUNDLABS

TEENAGE WRIST
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USEP42134002 is the International Standard Recording Code (ISRC) for the recording "TASTE OF GASOLINE LIVE AT KINGSIZE SOUNDLABS" by TEENAGE WRIST. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by MARSHALL GALLAGHER, COLIN BRITTAIN CUNNINGHAM, ANTHONY SALAZAR, and others.

Format

USCountry
EP4Registrant
21Year (2021)
34002Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2021):
Last two digits of the reference year (2021). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCTASTE OF GASOLINE LIVE AT KINGSIZE SOUNDLABS

People also ask

What is the ISRC for "TASTE OF GASOLINE LIVE AT KINGSIZE SOUNDLABS" by TEENAGE WRIST?
The ISRC for "TASTE OF GASOLINE LIVE AT KINGSIZE SOUNDLABS" by TEENAGE WRIST is USEP42134002.
Who wrote "TASTE OF GASOLINE LIVE AT KINGSIZE SOUNDLABS"?
"TASTE OF GASOLINE LIVE AT KINGSIZE SOUNDLABS" was written by MARSHALL GALLAGHER, COLIN BRITTAIN CUNNINGHAM, ANTHONY SALAZAR, CHASE BARHAM.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USEP42134002?

USEP42134002 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "TASTE OF GASOLINE LIVE AT KINGSIZE SOUNDLABS" by TEENAGE WRIST. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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