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GOT TO LOSE album cover

ISRC

USEEZ0805004

GOT TO LOSE

GOODIE MOB & PASTOR TROYGOODIE MOBPASTOR TROYPASTOR TROY AND GOODIE MOB
unmatchedNot yet matched in the MLC database

Last verified:

USEEZ0805004 is the International Standard Recording Code (ISRC) for the recording "GOT TO LOSE" by GOODIE MOB & PASTOR TROY, GOODIE MOB, PASTOR TROY, PASTOR TROY AND GOODIE MOB. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by NEMO MITCHELL, MICAH TROY.

Format

USCountry
EEZRegistrant
08Year (2008)
05004Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2008):
Last two digits of the reference year (2008). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

NEMO MITCHELLComposer
MICAH TROYComposer

MLC Song Code

GF77QO
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SourcesMLCNotesCommunity3 sources

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People also ask

What is the ISRC for "GOT TO LOSE" by GOODIE MOB & PASTOR TROY?
The ISRC for "GOT TO LOSE" by GOODIE MOB & PASTOR TROY, GOODIE MOB, PASTOR TROY, PASTOR TROY AND GOODIE MOB is USEEZ0805004.
Who wrote "GOT TO LOSE"?
"GOT TO LOSE" was written by NEMO MITCHELL, MICAH TROY.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USEEZ0805004?

USEEZ0805004 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "GOT TO LOSE" by GOODIE MOB & PASTOR TROY, GOODIE MOB, PASTOR TROY, PASTOR TROY AND GOODIE MOB. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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