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Looking for the Next Best Thing album cover

ISRC

USEE10181187

Looking for the Next Best Thing2

Song: LOOKING FOR THE NEXT BEST THING

Warren Zevon
matched
Released 1982-01-01

Last verified:

USEE10181187 is the International Standard Recording Code (ISRC) for the recording “Looking for the Next Best Thing” by Warren Zevon, released 1982-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by WARREN ZEVON, KENNY EDWARDS, ROY MARINELL.

Format

USCountry
EE1Registrant
01Year (2001)
81187Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2001):
Last two digits of the reference year (2001). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

WARREN ZEVONComposer
KENNY EDWARDSComposer
ROY MARINELLComposer
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Looking for the Next Best Thing" by Warren Zevon?
The ISRC for "Looking for the Next Best Thing" by Warren Zevon is USEE10181187.
Who wrote "Looking for the Next Best Thing"?
"Looking for the Next Best Thing" was written by WARREN ZEVON, KENNY EDWARDS, ROY MARINELL.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USEE10181187?

USEE10181187 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Looking for the Next Best Thing” by Warren Zevon. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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