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ISRC

USDW10500134

Apologise

Song: APOLOGISE

Eleanor McEvoy
unmatchedNot yet matched in the MLC database

Last verified:

USDW10500134 is the International Standard Recording Code (ISRC) for the recording “Apologise” by Eleanor McEvoy. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
DW1Registrant
05Year (2005)
00134Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2005):
Last two digits of the reference year (2005). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Musical work link not available yet

This ISRC still identifies a valid recording; the available sources have not yet connected it to an ISWC for the underlying composition. Available release, performer, producer, and songwriter links remain visible below.

Who wrote this song?

ELEANOR MCEVOYComposer
EMI BLACKWOOD MUSIC INC OriginalPublisherIPI: 00223437493

Who publishes this song?

EMI BLACKWOOD MUSIC INCOriginalPublisher
IPI: 00223437493

MLC Song Code

A05554
Verify on MLC Portal →
SourcesMusicBrainzMLCMLC3 sources

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People also ask

What is the ISRC for "Apologise" by Eleanor McEvoy?
The ISRC for "Apologise" by Eleanor McEvoy is USDW10500134.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USDW10500134?

USDW10500134 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Apologise” by Eleanor McEvoy. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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