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Stay Weird (Beyond the Abyss) album cover

ISRC

USDPK2500030

Stay Weird (Beyond the Abyss)2

Song: STAY WEIRD

The Funeral Portrait
unmatchedNot yet matched in the MLC database
Released 2025-06-13

Last verified:

USDPK2500030 is the International Standard Recording Code (ISRC) for the recording “Stay Weird (Beyond the Abyss)” by The Funeral Portrait, released 2025-06-13. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by SCOTT STEVENS, ELIZABETH HALE, JOHNNY LEE ANDREWS, and others.

Format

USCountry
DPKRegistrant
25Year (2025)
00030Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2025):
Last two digits of the reference year (2025). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "Stay Weird (Beyond the Abyss)" by The Funeral Portrait?
The ISRC for "Stay Weird (Beyond the Abyss)" by The Funeral Portrait is USDPK2500030.
Who wrote "Stay Weird (Beyond the Abyss)"?
"Stay Weird (Beyond the Abyss)" was written by SCOTT STEVENS, ELIZABETH HALE, JOHNNY LEE ANDREWS, JOSHUA BENJAMIN LANDRY, ROBERT GRANT WESTON, LEE JENNINGS SMITH, CODY MATTHEW WEISSINGER, BRANDON HAROLD UMBANHOWAR.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USDPK2500030?

USDPK2500030 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Stay Weird (Beyond the Abyss)” by The Funeral Portrait. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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