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Hollow (live from Charleston) album cover

ISRC

USDMG2363908

Hollow (live from Charleston)

Song: HOLLOW

flipturn
unmatchedNot yet matched in the MLC database
Released 2023-08-16

Last verified:

USDMG2363908 is the International Standard Recording Code (ISRC) for the recording “Hollow (live from Charleston)” by flipturn, released 2023-08-16. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by DILLON PREUIT BASSE, DEVON MICHAEL VONBALSON, TRISTAN DUNCAN, and others.

Format

USCountry
DMGRegistrant
23Year (2023)
63908Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2023):
Last two digits of the reference year (2023). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCHollow (live from Charleston)
IPIDILLON PREUIT BASSE

People also ask

What is the ISRC for "Hollow (live from Charleston)" by flipturn?
The ISRC for "Hollow (live from Charleston)" by flipturn is USDMG2363908.
Who wrote "Hollow (live from Charleston)"?
"Hollow (live from Charleston)" was written by DILLON PREUIT BASSE, DEVON MICHAEL VONBALSON, TRISTAN DUNCAN, MADELINE JARMAN, MITCHELL DYLAN FOUNTAIN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USDMG2363908?

USDMG2363908 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Hollow (live from Charleston)” by flipturn. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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