Mr. Lovemaker album cover

ISRC

USDEI8203063

Mr. Lovemaker2

Song: MR. LOVEMAKER

Johnny Paycheck
matched
Released 1991-01-01

Last verified:

USDEI8203063 is the International Standard Recording Code (ISRC) for the recording “Mr. Lovemaker by Johnny Paycheck, released 1991-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by DONALD E. LYTLE JOHNNY PAYCHECK.

Format

USCountry
DEIRegistrant
82Year (1982)
03063Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1982):
Last two digits of the reference year (1982). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

DONALD E. LYTLE JOHNNY PAYCHECKComposer
UNIVERSAL - SONGS OF POLYGRAM INTERNATIONAL INC OriginalPublisher100.00%IPI: 00353265272

Who publishes this song?

UNIVERSAL - SONGS OF POLYGRAM INTERNATIONAL INCOriginalPublisher
IPI: 00353265272

Credits Graph

MLC Song Code

SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Mr. Lovemaker" by Johnny Paycheck?
The ISRC for "Mr. Lovemaker" by Johnny Paycheck is USDEI8203063.
Who wrote "Mr. Lovemaker"?
"Mr. Lovemaker" was written by DONALD E. LYTLE JOHNNY PAYCHECK.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USDEI8203063?

USDEI8203063 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Mr. Lovemaker by Johnny Paycheck. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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