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Good Enough to Be Your Wife album cover

ISRC

USDEI2476132

Good Enough to Be Your Wife

Song: GOOD ENOUGH TO BE YOUR WIFE

Jeannie C. Riley
matched
Released 2007-04-12

Last verified:

USDEI2476132 is the International Standard Recording Code (ISRC) for the recording "Good Enough to Be Your Wife" by Jeannie C. Riley, released 2007-04-12. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by RALPH MURPHY.

Format

USCountry
DEIRegistrant
24Year (2024)
76132Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2024):
Last two digits of the reference year (2024). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

RALPH MURPHYComposer
EMI MILLS MUSIC INC OriginalPublisher100.00%IPI: 00129995030

Who publishes this song?

EMI MILLS MUSIC INCOriginalPublisher
IPI: 00129995030
SourcesMusicBrainzMLC2 sources

Verified on

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Songwriter profiles

People also ask

What is the ISRC for "Good Enough to Be Your Wife" by Jeannie C. Riley?
The ISRC for "Good Enough to Be Your Wife" by Jeannie C. Riley is USDEI2476132.
Who wrote "Good Enough to Be Your Wife"?
"Good Enough to Be Your Wife" was written by RALPH MURPHY.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USDEI2476132?

USDEI2476132 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Good Enough to Be Your Wife" by Jeannie C. Riley. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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