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I'M FROM KENNER (OUTRO) [LIVE] album cover

ISRC

USCGH1203877

I'M FROM KENNER (OUTRO) [LIVE]

Song: I'M FROM KENNER

JONATHAN BATISTE;THE STAY HUMAN BAND
unmatchedNot yet matched in the MLC database
Released 2011-10-28

Last verified:

USCGH1203877 is the International Standard Recording Code (ISRC) for the recording "I'M FROM KENNER (OUTRO) [LIVE]" by JONATHAN BATISTE;THE STAY HUMAN BAND, released 2011-10-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JONATHAN BATISTE.

Format

USCountry
CGHRegistrant
12Year (2012)
03877Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2012):
Last two digits of the reference year (2012). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCI'M FROM KENNER (OUTRO) [LIVE]
IPIJONATHAN BATISTE

People also ask

What is the ISRC for "I'M FROM KENNER (OUTRO) [LIVE]" by JONATHAN BATISTE;THE STAY HUMAN BAND?
The ISRC for "I'M FROM KENNER (OUTRO) [LIVE]" by JONATHAN BATISTE;THE STAY HUMAN BAND is USCGH1203877.
Who wrote "I'M FROM KENNER (OUTRO) [LIVE]"?
"I'M FROM KENNER (OUTRO) [LIVE]" was written by JONATHAN BATISTE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USCGH1203877?

USCGH1203877 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "I'M FROM KENNER (OUTRO) [LIVE]" by JONATHAN BATISTE;THE STAY HUMAN BAND. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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