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BELLE FROM BARCELONA (O-O-LE, MU-CHA-CHA) album cover

ISRC

USCA25400110

BELLE FROM BARCELONA (O-O-LE, MU-CHA-CHA)

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USCA25400110 is the International Standard Recording Code (ISRC) for the recording “BELLE FROM BARCELONA (O-O-LE, MU-CHA-CHA)”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by BROWN, DE PAULO.

Format

USCountry
CA2Registrant
54Year (1954)
00110Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1954):
Last two digits of the reference year (1954). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

BROWNComposer
BARTON MUSIC CORPORATION OriginalPublisher100.00%IPI: 00002240553
DE PAULOComposer
BARTON MUSIC CORPORATION OriginalPublisher100.00%IPI: 00002240553

Who publishes this song?

BARTON MUSIC CORPORATIONOriginalPublisher
IPI: 00002240553

MLC Song Code

B1617K
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SourcesMLC

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People also ask

What is the ISRC for "BELLE FROM BARCELONA (O-O-LE, MU-CHA-CHA)"?
The ISRC for "BELLE FROM BARCELONA (O-O-LE, MU-CHA-CHA)" is USCA25400110.
Who wrote "BELLE FROM BARCELONA (O-O-LE, MU-CHA-CHA)"?
"BELLE FROM BARCELONA (O-O-LE, MU-CHA-CHA)" was written by BROWN, DE PAULO.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USCA25400110?

USCA25400110 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “BELLE FROM BARCELONA (O-O-LE, MU-CHA-CHA)”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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