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SPACESHIP VIEWS album cover

ISRC

USC4R2332924

SPACESHIP VIEWS

Killer MikeCurren$y2 ChainzKaash Paige
unmatchedNot yet matched in the MLC database
Released 2023-06-16

Last verified:

USC4R2332924 is the International Standard Recording Code (ISRC) for the recording "SPACESHIP VIEWS" by Killer Mike, Curren$y, 2 Chainz, Kaash Paige, released 2023-06-16. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by WARRYN S II CAMPBELL, MICHAEL SANTIGO RENDER, SHANTE FRANKLIN, and others.

Format

USCountry
C4RRegistrant
23Year (2023)
32924Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2023):
Last two digits of the reference year (2023). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCSPACESHIP VIEWS
IPIWARRYN S II CAMPBELL

People also ask

What is the ISRC for "SPACESHIP VIEWS" by Killer Mike?
The ISRC for "SPACESHIP VIEWS" by Killer Mike, Curren$y, 2 Chainz, Kaash Paige is USC4R2332924.
Who wrote "SPACESHIP VIEWS"?
"SPACESHIP VIEWS" was written by WARRYN S II CAMPBELL, MICHAEL SANTIGO RENDER, SHANTE FRANKLIN, TAUHEED EPPS, DAMIEN ROMEL FARMER III, CARLTON MAYS, D'KYLA WOOLEN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USC4R2332924?

USC4R2332924 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "SPACESHIP VIEWS" by Killer Mike, Curren$y, 2 Chainz, Kaash Paige. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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