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I DON'T NEED BRIGHTER DAYS album cover

ISRC

USBWK1100016

I DON'T NEED BRIGHTER DAYS

ANT ATMOSPHERE SLUGANTATMOSPHERESLUG
unmatchedNot yet matched in the MLC database
Released 2011-04-12

Last verified:

USBWK1100016 is the International Standard Recording Code (ISRC) for the recording "I DON'T NEED BRIGHTER DAYS" by ANT ATMOSPHERE SLUG, ANT, ATMOSPHERE, SLUG, released 2011-04-12. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ERICK ANDERSON, SEAN DALEY, NATHAN COLLIS, and others.

Format

USCountry
BWKRegistrant
11Year (2011)
00016Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2011):
Last two digits of the reference year (2011). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCI DON'T NEED BRIGHTER DAYS
IPIERICK ANDERSON

People also ask

What is the ISRC for "I DON'T NEED BRIGHTER DAYS" by ANT ATMOSPHERE SLUG?
The ISRC for "I DON'T NEED BRIGHTER DAYS" by ANT ATMOSPHERE SLUG, ANT, ATMOSPHERE, SLUG is USBWK1100016.
Who wrote "I DON'T NEED BRIGHTER DAYS"?
"I DON'T NEED BRIGHTER DAYS" was written by ERICK ANDERSON, SEAN DALEY, NATHAN COLLIS, ANTHONY JEROME DAVIS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USBWK1100016?

USBWK1100016 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "I DON'T NEED BRIGHTER DAYS" by ANT ATMOSPHERE SLUG, ANT, ATMOSPHERE, SLUG. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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