ISRC
Das Paradies und die Peri: Erster Teil: Nr. 9 „Die Peri sah das Mal der Wunde“ (Tenor, Peri, Chor)
Last verified:
USBC10800077 is the International Standard Recording Code (ISRC) for the recording “Das Paradies und die Peri: Erster Teil: Nr. 9 „Die Peri sah das Mal der Wunde“ (Tenor, Peri, Chor)” by Chor des Bayerischen Rundfunks, Dorothea Röschmann, Symphonieorchester des Bayerischen Rundfunks, Nikolaus Harnoncourt, released 2008-05-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
Credits Graph
Want songwriter and ownership data?
This recording is not yet in the Notes database. Notes-enhanced ISRCs include ownership data, songwriter credits, and publisher chains.
USBC10800077 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Das Paradies und die Peri: Erster Teil: Nr. 9 „Die Peri sah das Mal der Wunde“ (Tenor, Peri, Chor)” by Chor des Bayerischen Rundfunks, Dorothea Röschmann, Symphonieorchester des Bayerischen Rundfunks, Nikolaus Harnoncourt. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
Learn more about ISRCs · Powered by Notes.fm
Gidon Kremer, Wiener Philharmoniker, Nikolaus Harnoncourt
DEF058702492Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein
DEF059003690Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein
DEF058902564Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík
DEF057300340USBC10800077 is the International Standard Recording Code (ISRC) for the recording “Das Paradies und die Peri: Erster Teil: Nr. 9 „Die Peri sah das Mal der Wunde“ (Tenor, Peri, Chor)” by Chor des Bayerischen Rundfunks, Dorothea Röschmann, Symphonieorchester des Bayerischen Rundfunks, Nikolaus Harnoncourt, released 2008-05-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
