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JESUS, I AM YOURS / I SURRENDER ALL album cover

ISRC

USB4U0800203

JESUS, I AM YOURS / I SURRENDER ALL

Song: JESUS, I AM YOURS

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USB4U0800203 is the International Standard Recording Code (ISRC) for the recording "JESUS, I AM YOURS / I SURRENDER ALL". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JAMES EUGENE ROBINSON, ROBERT WHITE JOHNSON, JAMES EUGENE ROBINSON, and others.

Format

USCountry
B4URegistrant
08Year (2008)
00203Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2008):
Last two digits of the reference year (2008). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCJESUS, I AM YOURS / I SURRENDER ALL
IPIJAMES EUGENE ROBINSON

Related

Songwriter profiles

JAMES EUGENE ROBINSONIPIROBERT WHITE JOHNSONIPIJAMES EUGENE ROBINSONIPIALBERT WRAY DENSONIPIDPIPI

People also ask

What is the ISRC for "JESUS, I AM YOURS / I SURRENDER ALL"?
The ISRC for "JESUS, I AM YOURS / I SURRENDER ALL" is USB4U0800203.
Who wrote "JESUS, I AM YOURS / I SURRENDER ALL"?
"JESUS, I AM YOURS / I SURRENDER ALL" was written by JAMES EUGENE ROBINSON, ROBERT WHITE JOHNSON, JAMES EUGENE ROBINSON, ALBERT WRAY DENSON, DP.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USB4U0800203?

USB4U0800203 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "JESUS, I AM YOURS / I SURRENDER ALL". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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